In the 19th century, a painting by John Everett Millais entitled "Man With a Hoe" inspired poet Edwin Markham to write one of his most popular poems. Also titled "Man With a Hoe", this poem acknowledges the burdens of the common laborer. The first four lines indicate the misery of his lot:
Bowed by the weight of the centuries he leans
Upon his hoe and gazes on the ground,
The emptiness of ages in his face,
And on his back the burden of the world . . .
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| Man With a Hoe--John Everett Millais http://bloodyparadise.wordpress.com/the-hoe-in-art-and-history/
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All I know is something my mother told me, that the woman in the babushka went to church every morning, where she mumbled her prayers in German, her first language. The words she mumbled in her garden, however, were not prayers, but German curses as she called upon God himself to damn the tenacious weeds. Did her hoeing "tickle the earth?" I don't know, but I have a feeling that Earth or God or the cosmos did smile a little at the delightful irony of her piety in the morning and profanity in the afternoon.
I am not a poet laureate like Edwin Markham was, but I have written my own tribute to this immigrant woman with a hoe from long ago:
Cultivation
The woman in the black babushka
kneels in church each morning,
mouthing fervent devotions,
prayers for rain and forgiveness
and just one more day in her garden,
where she wields her hoe
like a battleaxe.
"Du Gottverdammtes Ding!" she curses,
hacking at roots that bind and twist
all the way back to the old country.
I hope she reaped a bountiful harvest.

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